Syllabus

Competitions for 2025

Following is a list of the photography competitions scheduled for this year.

Comp No. Competition Details Due Date Results
1Open12 Feb12 Mar
2Reflections12 Mar9 Apr
3Cloudscape9 Apr14 May
4Good Enough to Eat14 May11 Jun
5Travel & Culture11 Jun9 Jul
6ICM9 Jul13 Aug
7Photojournalism13 Aug10 Sep
8Creative Self Portrait10 Sep8 Oct
9Land/Seascape with the hand of man8 Oct12 Nov
10EOY Entries Due12 Nov5 Dec

Competition guidelines 2025

REFLECTIONS:

Reflection photography encompasses any photographic shot, regardless of genre, that utilises a reflective surface, such as water, glass, or mirrors. Examples include a mountain mirrored in the still waters of a lake, a city’s architecture reflected on the glossy surface of a skyscraper, or a skyline captured in a puddle on a sidewalk. Even self-portraits taken in store windows or artistic shots using mirrors fall under this category.

Reflection photography invites viewers to see familiar scenes from a fresh perspective, offering a unique and creative way to interpret the world through reflections.

ICM:

Intentional Camera Movement (ICM) is a creative photographic technique that uses longer exposure times while deliberately moving the camera during the shot. This motion produces artistic effects such as streaks, textures, and layers, transforming static scenes into dynamic compositions. In ICM photography, motion itself becomes the core compositional element, offering a bold departure from traditional photography’s focus on sharpness and detail.

Though unconventional and sometimes misunderstood, ICM embraces the freedom of artistic expression through photography, allowing photographers to break away from the technical constraints often associated with the medium.

For this competition, the only rule is that movement must occur in-camera and not be achieved through editing. However, other forms of post-processing, such as image blending for a multiple-exposure effect, are permitted.

PHOTOJOURNALISM: Black and White

Photojournalism is the art of capturing images that document real moments or events, telling a factual story intended to inform and convey truth to the public. The photograph must authentically represent real events, people, and places, without any staging or manipulation, preserving the integrity of the scene. The goal is to deliver an accurate and unbiased portrayal of the subject, often in relation to news, social issues, cultural events, or significant historical moments. Ethical standards are paramount, with strict guidelines against any alterations that could mislead viewers or distort the reality of the captured moment.

This competition is Black and White and only accepts black and white images. Monochrome images of other colours, including sepia tones, are not permitted.

Editing Guidelines:

  • Minimal editing is allowed; however, techniques that add, relocate, replace, remove, or alter any

    element of the original scene (except for cropping) are not permitted.

  • Complete conversion to Black and White is permitted, but other variations, including infrared photography, are not eligible.

CLOUDSCAPES:

Cloud Study: A photograph where the sky and clouds are the dominant focus. The image must feature clouds, and can include some portion of the ground, but the ground must occupy no more than one-third of the composition. The photograph should capture intriguing elements of the sky, such as unique cloud formations, colours, or lighting effects, with the clouds serving as the central subject

LAND/SEASCAPE WITH THE HAND OF MAN:

Land/Seascape with the hand of man: This competition embraces a more dominant presence of “the hand of man” within a landscape or seascape. Examples include jetties, piers, farmhouses, old buildings, boats, and fences, all of which can enhance the narrative by adding intrigue, mystery, and emotion. It’s essential to maintain a balance between the human element and the natural environment, so that one element does not overpower the other. Post-production is accepted to enhance your vision and bring your scene to life.

The traditional definitions of seascape and landscape appear below for reference.

SEASCAPE: Is a photograph of natural coastal scenery, a wave study, or a picture of the open sea, provided always that the sea is the centre of interest of the photograph. People, boats and man-made structures may be present as incidental to the photograph
LANDSCAPE: Is a photograph of natural scenery with land and sky-based elements displayed in a pictorial fashion. It may include evidence of man, people, animals, even part of the sea provided that none of these additional elements dominate the photograph.

TRAVEL/CULTURE:

A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.

Content guidance:

  1. If the image is predominantly or exclusively a land-, sea- or cityscape, these “scapes” must include

    characteristic, distinctive and recognisable physical features, although it is not necessary that the

    image identify the exact location;

  2. Images that predominantly or exclusively depict people and their activities must illustrate a

    distinctive culture of a country, region, or continent;

  3. Images that predominately or exclusively depict animal populations are allowed, if the animals are

    in their native environment and are characteristic of that country, region, or continent;

  4. Portraits or other close-ups of people or objects, in addition to meeting the above paragraphs as

    applicable, must include elements depicting some of the surrounding environment to make it

    obvious that the image was not taken in a studio setting;

  5. Images from events or activities arranged for photography, or of subjects directed or hired for

    photography, are NOT allowed.

  6. Time exposures are allowed, if they do not dominate the image as a special effect (star trails, for

    example, are a dominating effect).
    Highly distorted images such as those produced by fish eye lenses are NOT allowed

GOOD ENOUGH TO EAT:

Food Photography is a still life photography genre dedicated to capturing visually appealing, mouth- watering images of food. Whether for a cookbook, restaurant menu, or food blog, this genre focuses on presenting dishes in a way that entices and inspires people to explore new culinary experiences. Creativity is key, and post-processing is allowed, enabling photographers to enhance their images and make the food even more appetising.

CREATIVE SELF PORTRAIT:

A creative self-portrait is a carefully composed, intentional photograph that captures your essence in a thoughtful, imaginative way. Push beyond the ordinary by exploring unconventional techniques such as reflections, abstract compositions, symbolic props, and creative use of light and shadow. Focus on telling a story, blending yourself with the environment, or incorporating symbolic elements to create a powerful narrative. Double exposures, motion blur, or fragmented details can add depth and intrigue. Post- processing is allowed to enhance your vision. Casual snapshots or selfies are not permitted. Think outside the box and make a lasting impression!

General Notes

  1. Images must originate as photographs made by the entrant. They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Images created in whole or in part by image creation software (frequently called ‘AI’ images) are not allowed.  Editing or alteration of images is permitted but read the rules in each competition as to how much editing is permitted.
  1. Images taken using camera film will be considered providing the competition entries comply with the standard competition rules i.e., electronic files are provided of these entries for projection and for display on the DVPS website.

2025:     “The Year of Intentional Creative Moments”

The 2025 Syllabus : 2025 Syllabus PAGES V1 1-12-24